Burning White Firewood is the Deang people’s festival for honoring the Buddha, celebrated on December 14th of each year according to the Gregorian calendar. On this evening, a 5-meter-high white firewood pagoda is erected in the square outside the village and set on fire. The De’ang people believe that as the cold season approaches, the Buddha may feel chilly, so they need to burn white firewood to provide warmth for the Buddha, driving away the cold and symbolizing the addition of warmth.
Zuobai Festival(做摆) is Deang ethnic minority’s religious festival in Dehong and Xishuangbanna(西双版纳). The date of the festival is not fixed, generally once a year. Zuobai Festival consumes a lot, so it is held once every three or four years when the economic declines. Deang people believe that Zuobai Festival can bring a bumper grain harvest, thriving domestic animals and a peaceful village. Before the festival, sponsors needs to prepare large quantities of rice, meat, oil, papers, candles, joss-sticks and several Buddha statues. From days before the festival to the end, numerous people who are from near and far villages will join it. Sponsors provide warm reception, accommodation and food. On the first day of the festival, people go to the Buddhist temple to greet the Buddha with gongs and drums. People hold a carnival gala as the statue arrives. The next morning a rite of worshipping Buddha is held to listen to the sermon. After the breakfast to the afternoon, people parade around the Buddhist temple with gongs and drums, scattering popcorn and setting off firecrackers. After the dinner, people still rejoice with wild excitement, but it’s not as lively as last night. On the third day, guests are leaving one after another. Villagers dedicate all tributes and the statue of Buddha to the temple. At last, people set up a high perch with a banner to end the festival with a feast.
The origin of the Zuobai Festival is intertwined with the De’ang people’s cultural history and their reverence for ancestors and deities. It is believed to have evolved from ancient rituals related to agricultural practices, the changing of seasons, and the instilling of spiritual beliefs. Over time, the festival has become a time to honor the Buddha, seeking blessings for protection and warmth during the winter months.
The religious festival of the Deang ethnic minority is called “Jinwa” (the Closure Festival), which is the most significant fasting and purification festival for devout Buddhists. It begins on the fifteenth day of the ninth month of the Dai calendar. During this time, the Buddha statue in the temple is closed to visitors, and the monks engage in meditation and recitation of scriptures. The community offers food, fresh flowers, and money to the Buddha, with offerings made every seven days. Devout elderly believers reside in the temple to listen to the teachings of the great monk until the fifteenth day of the twelfth month of the Dai calendar (the Opening Festival). After this date, monks are allowed to go out.
activities that foster community bonding and cultural expression.
Chinese Name: 德昂族关门节
English Name: Guanmen Festival of Deang Ethnic Minority
The religious festival of the Deang ethnic group is called “Jinwa” (the Closure Festival). It is the most significant fasting and purification festival for devout Buddhists. It begins on the fifteenth day of the ninth month of the Dai calendar. During this time, the Buddha statue in the temple is closed to visitors, and the monks engage in meditation and scripture recitation. The community offers food, fresh flowers, and money to the Buddha, with offerings made every seven days. Devout elderly believers reside in the temple to listen to the teachings of the great monk until the fifteenth day of the twelfth month of the Dai calendar (the Opening Festival). After this date, monks are allowed to go out.
Chinese Name:德昂族浇花节/泼水节
English Name: Watering Flowers Festival (Jiaohuajie) of Deang Ethnic Minority
The Deang people celebrate the Watering Flowers Festival, also known as Jiaohuajie, typically in mid-April. This festival, lasting 3 to 5 days, is rich with cultural and religious significance, combining elements of nature worship, Buddhist rituals, and community activities.
The Misunderstanding of Filial Piety: One legend tells of a rebellious son who, on the seventh day after Qingming Festival, was working in the mountains and witnessed a scene of young birds feeding their mother. This moved him to resolve to serve his mother better. As his mother climbed the mountain to bring him food, she slipped, and fearing her son would strike her, she tragically killed herself by hitting a tree. The remorseful son carved a statue of his mother from the tree and, every year on the seventh day after Qingming, he would bathe the statue in warm water sprinkled with flower petals, which evolved into a local custom.
The Longing for the Seven Fairies: In ancient times, seven fairies descended from heaven to bathe in a lake but were spotted by the Deang people and flew back to heaven. The fairies told the Deang that if they missed them, they could create Buddha statues and bathe them annually to remember them.
Remembering Buddha Shakyamuni: Buddha Shakyamuni, concerned about the long drought, advised the Deang people to pour water on his statue during the “Sand Pagoda Festival” every year. This act would bring rain to relieve the drought. Before he ascended to heaven, Shakyamuni left scriptures and instructed the Deang to perform this ritual, promising it would ensure their peace and prosperity.
Day 1: Listening to Scriptures: On the first day of the festival, villagers gather at the temple to listen to the monks recite scriptures.
Day 2: Bathing the Buddha: The second day involves bathing the Buddha statues. Each household’s younger generation prepares a basin of hot water and, in the main hall, they ask for forgiveness from their elders for any disrespect shown over the past year. The elders also reflect on their own shortcomings in setting examples. The younger ones then wash the hands and feet of their elders, mutually wishing for harmony and good fortune in the coming year. Only in the afternoon do the water-splashing activities begin.
Day 3: Festive Water Splashes: On the third day, the water-splashing festivities continue. The temporary “temple hall” constructed in the village becomes the focal point, adorned with wild pear blossoms collected by the youth. Villagers carry water from a sacred pond back to the hall to bathe the Buddha statues.
Collecting and Splashing Water: Participants, including young men and women, gather around a small pond to fetch water. Women often hand decorated bamboo water tubes to the young men, expressing love and affection under the ancient banyan tree. This act symbolizes gratitude for the life-giving water and the sharing of heartfelt emotions.
Constructing the “Zang House”: On the day before the festival, villagers build a temporary structure called the “Zang House” in the village center. Two dragon-shaped wooden water troughs, one approximately 10 meters long and the other about 6 meters long, are set up. Water from these troughs, decorated with wildflowers, flows over the Buddha statues, bathing them.
Receiving and Bathing the Buddha: During the festival, villagers, led by elders, fetch several small gilded Buddha statues from the main temple. These statues are placed in the Zang House where water flows over them. The village’s sole monk pours the first jug of water into the dragon trough, followed by the elders and then the villagers, marking the climax of the festival.
Mutual Blessings: On the final day, villagers from neighboring Deang communities visit each other, exchanging blessings and participating in the water-splashing activities. This ritual, accompanied by drum music and dancing, symbolizes the purification of the body and soul, and the mutual exchange of good wishes for health and prosperity.
The Watering Flowers Festival blends Buddhist devotion with vibrant cultural traditions, celebrating the Deang people’s reverence for nature, their community bonds, and their aspirations for a harmonious and prosperous life.
Source from:
http://www.dehong.gov.cn/culture/mz/content-86-458-1.html
http://www.ynich.cn/view-ml-11111-1172.html
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