Remeicuo Song and Dance of Dadong Naxi Ethnic Minority in Lijiang
Performance Form
-
Number of Performers: Hot Me Cuo performances have no limit on the number of participants, ranging from a dozen to several hundred people.
-
Performance Style: Participants hold hands and form a circle around a bonfire, singing and dancing in a clockwise direction. Men chant “wo re re” while women respond with a trembling voice singing “ai he he.”
-
Dance Movements: The dance movements are simple, natural, bold, and unrestrained, imitating the front legs bending and stretching downward during a sheep fight, with hands pulling each other or holding shoulders.
-
Musical Characteristics: The music is a natural sound from the chest and throat, without instrumental accompaniment or rules of scales and melodies. Men’s parts are led by the “Zuo Luo Ba” (male lead singer), and women’s parts by the “Re Le Mei” (female lead singer). The polyphonic parts are balanced between strength and softness, forming a primitive and beautiful dissonant harmony.
Cultural Connotations
-
Primitive Beliefs: Hot Me Cuo retains the traditional folk art characteristics of the Naxi people, reflecting their reverence for nature and belief in unity for survival.
-
Social Functions: This form of song and dance is not only for entertainment but also plays an important role in funeral and other ceremonies, believed to dispel evil spirits and guide the souls of the deceased back to their ancestors’ home.
-
Cultural Heritage: Hot Me Cuo is passed down through oral teaching and personal experience. Learners need to be exposed to it from a young age and practice for a long time to master the skills.
Heritage and Protection
Modern Development